Monday, March 28, 2011

POETRY FOR PLEASURE:MÉ:TOM GAMIG
                                                  Bhaskar Pegu


Poetry always makes for enlightenment and pleasure.A collection of poems edited by Abhijit Payeng "Mé:tom Gamig"from the banks of Ronganoi is contrasted in between romanticism and nostalgia,call for revolution and social change,the pleasure of spring and Ligang longing.The pages of Mé:tom Gamig are adorn by both budding and well-known poets,all from riverside!After reading the poems,one can sense the power of imagination of the poets.The rural setting by the river Ronganoi is fervently reflected in one the poems written by Nirmal Narah especially when he underscores:Ronganoi ru:yi-rusak lo ngoluk do:lung dung,jirin-jirinpe a:ne asse biyyara biddung;Kekon-kesag pigolo, Si:sa: yame:ye mebo nitomem songkit kikittakna dung...





Mé:tom Gamig
Editor:Abhijit Payeng
Publisher:Ronganoi Prakashan
Mothowkhur Ahomani
Lakhimpur ,Assam-787 052
Price:Rs.70.00


  


Poet Abhijit Payeng paints the stark social reality emerging out of guns and bullets in his poem "Kinsuna Yubnang".He has scripted on Ligang festivals,romanticism as well as facts of the social whole.While Bhaigeswar Pogag's poems are best known for his revolutionary appeal for unity and consciousness to get out the present clumsy atmosphere.One can see in his poem how betrayal and exploitation of Mising society must be dealt with by standing unitedly and firmly.Pogag also calls for writing through his poem "No Attoka" ,which shows the poet's love for one's language and culture.


The poetry is filled with variety of tastes and feelings that gives the reader a pleasure reading.Besides Abhijit and Bhaigeswar,the poets of Me:tom Gamig include Prasanta Payeng,Jiten Payeng,Jiten Narah,Nirmal Narah,Meghoram Payeng and Dipti Padun.There is no doubt that Me:tom Gamig from the Rongonai river bank will left any reader unrewarded.




 

Tuesday, March 22, 2011

ANDÉN DO:YING:SOBEN LOKKÉ TANIPÉ



-Mg.Bhaigeswar Pogag
Silokolokké takyíng  dítakpo:pé  Lokhimpur mongke:lo Taku do:lungko dungngai.Édé doLu:do Taruk émnam toku ami:ko dungngai.Bíkké ao:-ommang émpé sé:kosin kamangai.Ao-ommang émpé Soben adoro:ko dungngai.
Bí longékolo taonpé émna gito.Odo bédado aipé Iyong po:lodok pékarpé karné do:nyi dok gusi-gunamki ísíng néríngkolo tetrasupé émna Ké:né néríngkolo tetrasuto.Édé ísíng aníndo Iskulko dungngai.Édé iskuldok porainédé ko:-ko:néng kídardém poyirra dungngai.odo ko-ko:néng kídardé Sobennémpé tak-tagaila yirtaksula dungnga:lok poyir abudé aglí:la bulum jírto-é  Soben kídara okkom me:maitakla du:n?nolukémpiné Sobenné ngo íddíko tanipé motosong! Nolum tanipé mope émna ngo éddíko asin díkla porai du:song,noluk asin kídardé mé:ngkinmang.
Taruk bí poyir abudok do:ying appídém tomi:-tomi:la talla dungngai.Odo bí mé:to- ‘O, sé mastor simai ainékon! Bí bojeko  Sobenném tanipé motung émna ludak.Bí:mai ngok Sobenérém tanipé ilayen!’édémpé bí mé:la iskul sutidak me:lampé bí mastordok ukumdopé gia:la  mastordok alédo oala kumna lukang-‘Sara,ngokké amo:so okkosin kamang .Ao-ommang émpé Soben adorongko du:ng.Édém no tanipé mobitéika.Nom íddíko murkongém lagiyeji bipé.
Tarukké agomdém tadge:la mastordé aipé Tarukmé luyirkito,émdagom Tarukmé kapésin luyirla:tomang.Odo mastordé aiye ,ngo nok Sobendém tanipé molaye.Édémpigela ngom dítakko ayirém lagiye odokké murkong  200.00 ko(Língko annyiko) lagiye.
Taruk bí mastordok agomdém tadgela taléng-kítík kinsumapé aséngkang.Bí aséngki  lomna lomna okumpé gítoku odokké Sobendém mastordok ékumdopé sobomna bito.Bí murkong 200.00(Língko annyiko)kosin bito.Mastordé bím dítag me:lampé a:langkuka émna luto odokké Tarukmé urríktoku.Mastordé murkodokki take-talab régela Sobendém ayyompé dopakto.
Tarukbí longngém longngém dítak angordopé émna  saptíbomkang.Longékolo dítagé gíyinkang.Mastordok togésunam longédé píngangkangku.Taruk bí:si:n Mastordopé ali-aye,purang,Tépa-Tangetko bombila  bíkké aman ao dém langkupé émna gíto.
Tarukmé ka:pa:la mastordé péso péso:la  karíksuto. Tarugbí mastordém kumríksuto odokké tauto-‘Sara,ngok Sobendé tanipé ika:bonéi?’odo mastordé luto-‘Ilasin su bí Guwahati amo:bo  king-go migom okumdok bottané migompé iladu:ng.Odo Tarugbí aipé mé:pokang.Bík bombinam aman kídardém mastordém bigela Guwahatipé gito.Guwahatibo bí ga:ng odokké Ni:m annékké bomna gitung.Bí bottan migom okumkolo gíala ka:namé aropé bottané nammur go:goné amiko ka:pala giato.Odo amidé bím tauto-‘No sékom matala giadunga:n?’Odo Tarugbí luto-‘O,É,Sobena aíké malígémsin kangkinsukuman? Nomna gíríksukupé émna gídung.No tani dumsíggém pa:to émpigela Soben nammurdém su:lo:pé métung.Migomdé bím Sobenna émna lunamdém talla bí aipé aglí:la sokidardém lulíkla ager okumdokké ménnenlíktoku.Tarukbí odo aipé aglíla lukang-‘nom sé ga:ng sokki odokké sé Ni:m annésokki o:sa:tagai.Supak tanipé battokuném malígémsin kangkintokumang.Kasulang nom ngo mastordém lulíklangkula Sobenpé imoyeku.No ngom kapé mé:du:n?
            Édémpé togé géla Tarugbí mastordok okumpé gitoku.Odokké mastordém do:ying takamém kíbi:toku.Odo mastordé yampo rokompé murkong lingko annyikoda bomla gílangku émna okumpé urríktoku.Mastordé po:péké Sobendém dopakto émpila anupé Soben adorko régela mébito.
Rokondo Tarukbí aglíngki kortak takla mastordok okumdopé gito.Mastordé murko língko annyi dém latumgela Sobendém bitku.Odo Tarugbí Sobendém démna démna lukang-‘no ngom kapé mé:du:n?nom tanipé motoném botta bottapé mé:su:dagai,supak pa:du:n’ émna démbomkang.Odokké Sobendém dír dír émna ukumpé sobomkangku.

Thursday, February 10, 2011

Poems on Ali-Aye-Ligang


Mi:tom Abhijit Pa:yengké Mé:tom Aumko

Liga:lok purang apin kunnane taling ekkam aming
                        
MÉ:YOG MA:LANGKA
Oi Mising ya:me:a
Gonro ugan, Mibu galukdé
Nom aipé ka:jí:dag.
Oi Mising mímbíra
Ribi gaséng, yakan egedé
Nom aipé kayumdag.
Gonro ugan, Mibu galukdé
Ribi gaséng, yakan egedé
Noluk kangkiné.
Gíné líga:do
Nok gerki-gerpagna
Dum-dum dinamdo
Aipé so:po:dungngai.
Nok koyemona yirra
Lo:le, oi- goggoddo
Aipé tutag-tapung mutpo-dungai.
Sinnyingké líga:so:sin
Lékoda gumrag magsongko sona:pé
Do:lungké (Mothowkhur) mírong okumdo.
Nokkolo:pé ang-asinki
Ngok lupangko
Oi Mising ya:me:a
Oi Mising mímbíra
No Delhi, Mumbaibo du:do:gom
No Kolkota, Londonbo du:do:gom
Mé:yog-ma:langka
Ali-aye-lígangém.
Ali-aye-lígangé
Nok dírbíé
Ali-aye-líga:do
Sedi:-me:lo
Rugji-me:ramí: lutomna
Ali:ko lígod ru:lang
Ali-ayedo dung
Nok turgo do:yingko.
Geyop-geyoppé gesa:péné
Arig-ísíng do:yingko
No ungkoloi du:dogom
Mé:yog-ma:langka
Ali-aye-lígang’ gomugém






MÉROM RÍSÍ:DÉ

(Ta:to Uyu posum Mibu Biruson Bori:mí mé:pa:na)
Ya:yok kamanamdéi pídunga:bo
Ta:tobí:sin kakuma:na
Mérom rísí:dé
Rongngam pésamé ……
Ali-aye-liga:do
Ba:ri sungkendo
Khagori nebir bíryetna
Ali-aye liggodnék katokumang.
Yoktu:, Pakur kídarém
Asiko píyarra
Taléng ékkamki
Agyetnék katokumang.
Sedi-me:lomí lutomna
Abang alamki
Mibu abang
Írroi í:nék katokumang
Rabbé pérabdo
Ígsa:na ménam yogsadém
Asiko píyarra
Nogjin, Po:ro apong
Nebir porog apí, take, ambínki
Írnéko katokumang.
Ranganoi a:nédo
Yogsamí sutjíngge:n
Noang:kunék katokumang.
Yogsadé rakodbu:bu:na yaka-kuyagna
Pérab-rabbédoi dung.
Kido-ramdodo
Dogné tarog, Ko:bo kiringki
Takir ka:binék katokumang.
Dogné tarog, Ko:bo kiringdé
Mérom rísído tusa:nam
Munang ara:dok
Kampon eto:bo:n gasorki payegdo
Gopar bukna dung.
Ta:tok dungko méram rísídé
Rongngam pésamé ……..
Ta:to-yayok aya:ngém
Mé:pa:yékumíl
Luna:suma:pé bidlenpé idag
Amik bípogné amik-miksi:é.






North Lakhimpur lujar lo gine ditag lo inam Ligang
SINNYINGKÉ LÍGA:SO

Sinnyingké liga:so
Ba:ké lutum tadge:ma
Nanké luyir tadge:ma
Mé:nammí asin do:yingém
Sagdanna kípé.

Édíko niyad yebo:né sísang asiném
Édíko luyad yebo:né mé:bomsun asiném.

Mé:namké dumsíg migmodé
Ro-yumépé yinggo:dung
Amik tubí:so.
Dungu-dungagé
Méngu-méngagé
Yubkodo:sin yubli:mang
Dolí: tí:lí:mang
Mé:dodo a:ngé kidung
Mé:dodo tukku:é dumudung.
Sinnyingké líga:so
Ranganoi asi pigodo
Akunpé yetna du:né
Asin do:yi:sém
Mé:nammí kídanpé…..
Oyya
Noéi ngokké
A:ng asiné
Turkol turjonpé
Sikol jijonpé.

Pesupé sinnyingké
Ali-aye-líga:so. 

Dungko-Ramayan Apartment, Vaid Layout, Civil Lines
Wardha-442001(Maharashtra),
email:abhijit_payeng@yahoo.co.in 
Cell:+91-9049141320


Lo lo:le lo...Ligang ayir dok mimbir lok maksong soname aipe asinang omodung
            Líga:so Lupébong
                                           Mg. Bhaskor Pe:gu

Toya:la dung ginmur po:lolok ésarém
Édé singgi gimur yí:né ayirém
Tagad appun punné ayirém
Líga:so lupébong nom ngok asin agomém

Lí:né -gené mosang ege gé:namdé
Nok koyém-kosémla yirra luposunamdé
Nok otsurémpiné migmodé
Gamig mimangkísapé ma:nying ka:modung

Oi-ni:tompéi tomsar bipébong
Ngok lésila lénam asin agomém
Gumrag maksong so:dodo soyung kapkampé
No:sin ngom lubilang nok angkéng agomém

                                                                        
                                              Dungko:Dibang Hostel,IIT Guwahati

Saturday, July 31, 2010

Manoranjan Pegu’s Linguistic Misadventure


Manoranjan Pegu is trying to become a sonorous echo of the faint voices reflected from the distant mountain – which have no generative power of its own. As a result, he is presupposing so many things out of his ignorance, which are reflexive in his arguments. He has not overcome preliminary ideas, still being stuck with the introductory contents.

We think Manoranjan Pegu needs some introspection on the following points. For his benefit, we are pointing out some of his inadequacies that fall short of the discussions we had been so long engaged with, in the paragraphs cited below:

Youth of GenNext:

We often talk of progressive GenNext youth as the future of the Mishing society who will take the community and its language smoothly forward. Here, we always underline and stress upon the terms broad perspective, progressive outlook and looking forward attitude.

If Manoranjan Pegu does not fall himself within these parameters, he can not attach himself as “I am just one of those youth perhaps Mr. Peter Pegu is talking about”; it would merely be his self-appointment, a nom-de-plume. Regressive mindset, person in enclosed confinement, cave-man attitude and frog-in-a-well would not be a member of the innovative youth group we are imagining about.

Mising to Missing

Manoranjan Pegu does not believe Mising turns to missing. That is his problem – the Mishing community, as a whole, has nothing to do with one’s individual belief. He should keep personal belonging in his own pocket. For others, ‘mising’ and ‘missing’ are homophonous words with equal resonance, identical sonic frequency and uniform sound wave and as a result they are mutually exclusive.

Manoranjan Pegu is a hard nut to crack, even applied with somatic forces, who ‘maintains an argument that changing the spelling of Mising to Mishing’, that too without any convincing reason. The community is helpless to boil down such fruits to their edible form.

Mishing Diaspora

Outside of Assam, the Mishing identity does not ring a bell. Mishing population (students as well as employees and their families) in Delhi, Mumbai, Kolkata and other metropolitan cities of the country is counted with microscopic minority and practicing their native culture tends to infinitesimally zero. In the environment, the traditional custom has been dumped as non-practicing culture, despite boasting ourselves with ‘rich and colorful Mishing culture’. It is a ground reality.

Apart from own Mishing circle, they live under the broad protection of the Assamese umbrella and tell their native neighbours accordingly. In the process they establish a presentable identity and find a friendly equation with them (never disclose as Missing/Mising tribe). Within the Mishing circle, it makes no difference whether ‘the name’ is spelt as Missing or Mishing or Miching or Mising; these words have similar sounds in Mishing tongue and ear. Same argument is applicable to the Delhi Mishing Students’ Union.

Moreover, they enjoy busy moments in the metropolitan life. So, as Manoranjan found, ‘Majority of the people still either does not know about the debate or is not interested in it.’

Whims and fancies

Construction of orthography of a language never comes out of one’s whims and fancies, nobody does it. Rather, it is constructed invariably out of expertness - after attaining knowledge and command over the language as per linguistic theories. That comes again after long pursuance of the nitty-gritty of its word structure etc. Linguistics is a highly technical subject altogether and a full course in post graduate studies. It is the systematic study of language, its sounds, structure, meaning and function.

Applied linguistics is the use of linguistic theory to address real-world problems such as language education and research in phonology etc. Prof. Tabu Tawid and Prof. Nahendra Pahdun have extensive studies on the subject. In equal measure, I have in-dept study on linguistics and phonetics more than ten years. Out of my long training and experience, I have re-modeled (adoption of alphabets according to the existing phoneme in our speeches) Mishing Language Orthographic System on rationalization concept and put through it for experts’ comments. Whole system has been well-formatted and coded into the different sections of a standard grammar.

Here, whims and fancies do not come; the sections of the grammar speak. If someone does not agree with contents of the section he should come out scholarly pointing the shortcomings or its technical snags. So far no one could challenge. Mishing Society of Mumbai has been gainfully using the technique since 1996 with great advantage.

Authoritarian or dictatorial

The subject I know, know it thoroughly. I speak firmly, confidently, authentically and obviously authoritatively. Knowledge is the power. That does not mean that I am an authoritarian or dictatorial. It is a false and baseless accusation. Such insipid argument should come in a fine and constructive debate.

Spelling of Tawid

According to the spelling technique mentioned above and adopted by Mishing Society of Mumbai under rationalization concept, the spelling of Tawid, Pahdun, Pateer, Mohrang, Leegang, Bahne-Kebang etc. have been accepted as orthographically correct.

Here we reiterate, it is not Peter Pegu’s whims and fancies, it is being constructed as per the rule of the grammar. No question of giving freehand to Peter Pegu, he has to stay within the framework of various sections of the orthographic grammar adopted by Mishing Society of Mumbai.

Spelling progression

Manoranjan Pegu has unnecessarily informs us about the changes of Mishing language spelling system, as if Mishing Society of Mumbai is far away from those developments. For his information we state that though MAK sees us with red-eyes, treats us as their linguistic rivalry and enemy, we tract the developments very closely from various reliable sources. Our ways of dealing with the situation is we continue to write and keep a strong pen: pen with sharp nib and overflowing ink.

Conclusion

It is good, as Manoranjan Pegu owns up, “This issue creates a great interest to me”. We wish him best of luck. Gain more knowledge on the subject and come out scholarly and strongly. Do not talk ‘hawa-hawa’. Little learning is dangerous thing.

But for us, this is the concluding correspondence with Mr. Manoranjan Pegu. No further written communiqué will be made with him henceforth - unless and until he comes back fresh with background knowledge on the subject.

This measure is being taken to dissociate with the people who beats around the bush without substance.

Mishing Renaissance is grateful to Mr.Peter Pegu for the above article..